Bill Evans, Morning Glory

Bill Evans

2xHD

2022/05/06


©2022 2xHD

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flac 352.8kHz/24bit

¥3,717

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flac 192kHz/24bit

¥3,185

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flac 96kHz/24bit

¥2,547

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DSF 11.2MHz/1bit

¥3,717

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DSF 5.6MHz/1bit

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1
Re: Person I Knew
0:04:49
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Bill Evans[Composer]

2
Emily
0:06:42
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], John Herndon Mercer[Composer], Johnny Mandel[Composer]

3
Who Can I Turn to (When Nobody Needs Me)
0:07:44
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Anthony Newley[Composer], Leslie Bricusse[Composer]

4
The Two Lonely People
0:07:23
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Bill Evans[Composer], Carol Hill[Composer]

5
What Are You Doing the Rest of Your Life?
0:05:01
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Alan Bergman[Composer], Marylin Bergman[Composer], Michel Jean Legrand[Composer]

6
My Romance
0:08:50
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Lorenz Hart[Composer], Richard Rogers[Composer]

7
Morning Glory
0:04:28
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Bobbie Gentry[Composer]

8
Up With the Lark
0:06:38
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Jerome Kern[Composer], Leo Robin[Composer]

9
Twelve Tone Tune
0:06:02
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Bill Evans[Composer]

10
Esta Tarde Vi Llover
0:06:06
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Armando Manzanero[Composer]

11
Beautiful Love
0:12:31
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Victor Popular Young[Composer], Wayne King[Composer], Egbert Van Astyle[Composer], Haven Gillespie[Composer]

12
Waltz for Debby
0:06:23
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Bill Evans[Composer]

13
My Foolish Heart
0:05:00
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Bill Evans[piano], Marty Morell[drums], Eddie Gomez[bass], Ned Washington[Composer], Victor Popular Young[Composer]

  • Info
  • Credit
Morning Glory, was recorded in Buenos Aires, Argentina, at the Teatro Gran Rex on June 24, 1973, with Evans’ longest-tenured trio mates Eddie Gomez and Marty Morell, who had supported the pianist since 1968. The show, which was performed at 10 in the morning owing to its last-minute scheduling, was Evans’ first in Argentina. The date took place in an atmosphere of extreme tumult: The nation’s former leader Juan Perón had just re-entered the country after 18 years of European exile, and Argentina erupted. Despite the heavy political weather, the concert – which was highlighted by a surprise performance of a bolero, “Esta tarde vi llover,” by the noted Latin American composer Armando Manzanero – was a triumph for Evans. Argentinian professor Oscar Daniel Chilkowski, who attended the show, recalled, “The audience applauded so passionately that he stayed and performed three encores. When the main part of the program ended, I found myself crying like many others in the audience. We were crying because we thought Bill Evans had come out for the last time for a bow. But we were all surprised and thrilled when he came out again and sat down to give us more.”. 2xHD is proud to offer this moment in hi-res.

TECHNICAL INFORMATION:
The 2xHD proprietary mastering provides a unique listening experience as the process digs deep in original recordings to bring out all hidden information, without altering the music in any way, uncovering and bringing out nuances, warmth, depth of field and even the air around the musicians.

The 2xHD logo on an album cover indicates that the recording was carefully selected and the high-resolution mastering was done using the 2xHD process. Created by producer/studio owner André Perry and prize-winning audiophile sound engineer René Laflamme in collaboration with several high-end audio equipment manufacturers, the 2xHD music remastering system combines the best of vintage analog with state-of-the-art DSD and DXD digital technology – a ‘Back to the Future’ approach. Each musical project is treated with individual attention to the selection of equipment.
Some of the top flight gear used in the process includes a selection of cutting-edge A/D and D/A converters to obtain the most natural DSD or PCM sound, such as a NAGRA-T tape recorder - modified with all tubes playback electronics (With its four direct drive motors and the tape sensor head, The NAGRA-T is one of the best transports ever made), a modified vacuum tube NAGRA HD dac (DSD) to make it possible to obtain real analog sound from a digital master and in some cases even battery power is used so as to benefit from the cleanest power source possible. The 2XHD FUSION mastering system is powered by super capacitor power supplies with new technology that lowers the digital noise which is heard in the lowest levels, something that was not possible before. The resulting signal is then transformed to high resolution formats by recording it in DSD 256 kHz using the Merging Technologies’ Horus A to D converter - which is also powered by a super capacitor power supply. All analog and digital cables are the finest state-of-the-art available today. Also used in the process are Pyramix Masscore (records all high-resolution formats, allowing for great flexibility), an Atomic Clock for re-clocking, and Siltech & Shunyata cables (all digital and analog cables are reduced to a minimum optimal length in the digital conversion and mastering system).
The particular open sound and feeling of having no ceiling to the music are obtained through the 2xHD high resolution transfer. In the case of an original analog master tapes, transfer to DSD 256. In the case of an original 96/24 or DXD/DSD master, transfer is made to analogue using cutting edge D/A converters.

2xHD is an accurate and musical mastering system, earning recognition from peers and from the specialized trade publications around the world.
【Bill Evans, Morning Glory/Bill Evans/ハイレゾ】

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