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WAV 96kHz/24bit

¥2,500

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WAV 192kHz/24bit

¥3,127

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flac 96kHz/24bit

¥2,500

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flac 192kHz/24bit

¥3,127

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DSF 2.8MHz/1bit

¥3,359

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DSF 5.6MHz/1bit

¥3,649

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DSF 11.2MHz/1bit

¥3,649

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単曲購入

 

 

 

曲名

時間

金額

試聴

購入

1
Permit Me to Introduce You to Yourself
0:05:08
¥500
カートに追加

Horace Silver[Composer], Tamir Hendelman[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

2
Good Hands Tonight
0:06:28
¥500
カートに追加

Al Jarreau[Composer], Tamir Hendelman[Composer], George Duke[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

3
Beautiful Things
0:04:21
¥500
カートに追加

Leslie Bricusse[Composer], James Pearson[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

4
If You Had the Chance
0:05:21
¥500
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James Pearson[Composer], Polly Gibbons[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

5
Some of my Best Friends Are the Blues
0:06:36
¥500
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Woody Harris[Composer], Tamir Hendelman[Composer], Al Byron[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

6
Anything Goes
0:04:30
¥500
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Cole Porter[Composer], James Pearson[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

7
This Is Always
0:05:39
¥500
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Mack Gordon[Composer], Harry Warren[Composer], Tamir Hendelman[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

8
All I Can Do
0:05:03
¥500
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James Pearson[Composer], Polly Gibbons[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

9
Everything Must Change
0:07:23
¥500
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Bernard Ighner[Composer], James Pearson[Composer], Claus Ogerman[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

10
I'm Just a Lucky So and So
0:05:48
¥500
カートに追加

Duke Ellington[Composer], Mack David[Composer], James Pearson[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

11
Nothing Compares to You
0:06:24
¥500
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Prince[Composer], James Pearson[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

12
Sugar in My Bowl
0:05:20
¥500
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Clarence Williams[Composer], J. Tim Brymn[Composer], Dally Small[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

  • Info
  • Credit
Polly Gibbons, the rising young British singer of jazz, blues, and soul, has a sound and a style that give off sparks. Her voice is raspy, raw, and full of heat; it sputters and growls, carves out funky grooves, and wails into the stratosphere. Improvisations tumble out of her. Whatever the tempo, Polly’s time and pitch are spot-on; no challenge throws her. And when she sings a quiet, sparsely arranged love song, she’s a no-frills storyteller of great heart.

This album, made before a live audience at the Manhattan recording studio Power Station, captures the excitement she created throughout 2018 at New York’s Birdland, The Montreal International Jazz Festival, the Pittsburgh International Jazz Festival and London’s preeminent jazz club Ronnie Scott’s.

TECHNICAL INFORMATION:
The 2xHD proprietary mastering provides a unique listening experience as the process digs deep in original recordings to bring out all hidden information, without altering the music in any way, uncovering and bringing out nuances, warmth, depth of field and even the air around the musicians.

The 2xHD logo on an album cover indicates that the recording was carefully selected for the quality of its recording and interpretation and that the high resolution mastering was done using the 2xHD system. Created by producer/studio owner Andre Perry and prize-winning audiophile sound engineer Rene Laflamme, in collaboration with several high-end audio equipment manufacturers, the 2xHD music remastering system combines the best of vintage analog quality with state-of-the-art DSD and DXD digital technology - a ‘Back to the Future’ approach. Each musical project is treated with individual attention to the choice of equipment.
Some of the top flight gear used in the process includes a selection of cutting-edge A/D and D/A converters to obtain the most natural DSD or PCM sound, such as a NAGRA-T tape recorder - modified with all tubes playback electronics (With its four direct drive motors and the tape sensor head, The NAGRA T is one of the best transports ever made), a modified vacuum tube NAGRA HD dac (DSD) to make it possible to obtain a real analog sound from a digital master and in some cases even battery power is used so as to benefit from the cleanest power source possible. The 2XHD FUSION mastering system is powered by super capacitor power supplies with new technology that lowers the digital noise which is found in the lowest levels, something that was not possible before. The resulting signal is then transformed into high resolution formats by recording it in DSD11.2kHz using Merging Technologies’ Horus A to D converter, which is also powered by a super capacitor power supply. All analog and digital cables are the most state of the art available today. Also used in the process are Pyramix Masscore (records all high resolution formats, allowing for great flexibility), an Atomic Clock for re-clocking, and Siltech & Shunyata cables (all digital and analog cables are reduced to a minimum optimal length in the digital conversion and mastering system).
The particular open sound and feeling of having no ceiling to the music are obtained through the 2xHD high resolution transfer. In the case of an original analog master tapes, transfer to DSD 256. In the case of an original 96/24 or DXD/DSD master, transfer is made to analogue using cutting edge D/A converters.

2xHD is an accurate and musical mastering system, earning recognition from peers and from the specialized trade publications around the world.
【All I Can Do/Polly Gibbons/ハイレゾ】

1 Horace Silver[Composer], Tamir Hendelman[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

2 Al Jarreau[Composer], Tamir Hendelman[Composer], George Duke[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

3 Leslie Bricusse[Composer], James Pearson[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

4 James Pearson[Composer], Polly Gibbons[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

5 Woody Harris[Composer], Tamir Hendelman[Composer], Al Byron[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

6 Cole Porter[Composer], James Pearson[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

7 Mack Gordon[Composer], Harry Warren[Composer], Tamir Hendelman[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

8 James Pearson[Composer], Polly Gibbons[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

9 Bernard Ighner[Composer], James Pearson[Composer], Claus Ogerman[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

10 Duke Ellington[Composer], Mack David[Composer], James Pearson[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

11 Prince[Composer], James Pearson[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

12 Clarence Williams[Composer], J. Tim Brymn[Composer], Dally Small[Composer], Polly Gibbons[vocals], Paul Bollenback[guitar], Richie Goods[double bass], Tamir Hendelman[piano], James Pearson[piano], Shedrick Mitchell[hammond organ], Mark McLean[drums]

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