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WAV 96kHz/24bit

¥2,500

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WAV 192kHz/24bit

¥3,127

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flac 96kHz/24bit

¥2,500

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flac 192kHz/24bit

¥3,127

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DSF 2.8MHz/1bit

¥3,359

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DSF 5.6MHz/1bit

¥3,649

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※表示金額は税込価格になります。

単曲購入

 

 

 

曲名

時間

金額

試聴

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1
Summer Night
0:09:12
¥500
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Harry Warren[Composer], Stan Getz[tenor saxophone], Joanne Brackeen[piano], Clint Houston[double bass], Billy Hart[drums]

2
O Grande Amor
0:06:44
¥500
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Antonio Carlos Jobim[Composer], Stan Getz[tenor saxophone], Joanne Brackeen[piano], Clint Houston[double bass], Billy Hart[drums]

3
Infant Eyes
0:07:41
¥500
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Wayne Shorter[Composer], Stan Getz[tenor saxophone], Joanne Brackeen[piano], Clint Houston[double bass], Billy Hart[drums]

4
The Cry of the Wild Goose
0:08:10
¥500
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Kenny Wheeler[Composer], Stan Getz[tenor saxophone], Joanne Brackeen[piano], Clint Houston[double bass], Billy Hart[drums]

5
Peace
0:06:10
¥500
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Horace Silver[Composer], Stan Getz[tenor saxophone], Joanne Brackeen[piano], Clint Houston[double bass], Billy Hart[drums]

6
Con Alma
0:12:34
アルバム販売のみ
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Dizzy Gillespie[Composer], Stan Getz[tenor saxophone], Joanne Brackeen[piano], Clint Houston[double bass], Billy Hart[drums]

7
Prelude to a Kiss
0:05:41
¥500
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Duke Ellington[Composer], Stan Getz[tenor saxophone], Joanne Brackeen[piano], Clint Houston[double bass], Billy Hart[drums]

8
Morning Star
0:08:40
¥500
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Rodgers Grant[Composer], Stan Getz[tenor saxophone], Joanne Brackeen[piano], Clint Houston[double bass], Billy Hart[drums]

  • Info
  • Credit
This never-before-released music recorded in 1976 at San Francisco’s Keystone Korner Features the Stan Getz Quartet with tenor saxophonist Stan Getz and his rhythm section of pianist Joanne Brackeen, bassist Clint Houston and drummer Billy Hart.
Journalist Ted Panken describes Moments in Time as capturing the artists on this recording as a "unit of thirty-something masters-in-the-making." Keystone's producer Barkan recalls: "Stan explained to me quite a few times backstage at Keystone Korner that 'I have never felt as free and as totally supported as I do with this band with Joanne Brackeen, Clint Houston, and Billy Hart. They are happy and free to go with me wherever I go . . .'" Barkan relates that Getz frequently told him that he felt the most comfortable at the famed San Francisco club, more than he did at any other club.
Pianist Brackeen, talks about playing with Getz in her interview with Feldman: "I think that it kind of really displays the quartet at its best, which we rapidly became and stayed. And he had to be really daring to hire us. He already had his thing. He was already famous. He didn't have to have this band. And this band was crazy! I mean, we would do anything and everything we possibly could. We weren't just there as accompaniments . . . And then you hear how he played on it, it's so lyrical. He doesn't play one note that he doesn't mean. At any time. That's the one thing I guess that I would say about him that was so unique to me. And he also talked that way, when he was speaking."

Saxophonist Joshua Redman pays homage to Getz: "His virtuosity ? he could play any tune in any key at any tempo, with command and control and a sense of relaxation." And he further celebrates Getz's". . . incredible storytelling ability ? the natural, organic logic in the flow of his phrases and ideas."
【Moments In Time/Stan Getz, Joanne Brackeen, Clint Houston, Billy Hart/ハイレゾ】

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